seamlessly melds the complex politics of 18th-century Asia with a superior fair-play plot
Publisher's Weekly

THE white mirror

Coming September 6, 2016

In the follow-up to the critically acclaimed Jade Dragon Mountain, Li Du, an imperial librarian and former exile in 18th century China, is now an independent traveler. He is journeying with a trade caravan bound for Lhasa when a detour brings them to a high valley hidden between mountain passes. On the icy planks of an old wooden bridge, a monk sits in silent contemplation. Closer inspection reveals that the monk is dead, apparently of a self-inflicted wound. His robes are rent, revealing a mysterious symbol painted on his chest.

When the rain turns to snow, the caravan is forced to seek hospitality from the local lord while they wait for the storm to pass. Li Du receives a courteous welcome at the manor built into the mountain. The dead monk, he soon learns, was a reclusive painter who lived alone in a nearby temple. According to the family, his bizarre suicide is not surprising, given his obsession with the demon world.

But Li Du is convinced that all is not as it seems. Why did the caravan leader detour to this particular valley? Why does the lord’s skittish heir sleep in the barn like a servant? Why is an Italian missionary convinced that there is a lost Christian kingdom in Tibet? And who is the mysterious woman traveling unescorted through the mountain wilds?

These are dangerous times and dangerous roads. Political tension is escalating between the Emperor of China, the King of Tibet in Lhasa, and the Mongols in the north. Bandits roam the trade routes. Trapped in the snow, surrounded by secrets and an unexplained grief that haunts the manor, Li Du cannot distract himself from memories he has tried to leave behind. As he discovers irrefutable evidence of the painter’s murder and pieces together the dark circumstances of his death, Li Du must face the reason he will not go home and, ultimately, the reason why he must.